Amazon is launching a film studio. The idea is to make it in the same sort of egalitarian spirit as what they’ve done for self-publishing. Anyone can submit a script and if something really stands out, Amazon will greenlight it. The writer will make a flat salary of $200K if the film is made, but that number triples if the film is decently profitable. Like self-publishing, this promises a revolutionary world without the traditional gatekeepers, where anyone can get any story out to the world without going through the traditional channels, and where content creators can have greater ownership over their works. Of course, also like self-publishing, critics will argue that by making so much content available, there will be no way to truly separate the wheat from the chaff, and the only things that get noticed will be the ones driven by cynical marketing tactics rather than with true creativity.
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Author Neal Stephenson has decided that we all need to stop being so negative. He complains that modern science fiction — books, movies, etc. — is overstuffed with the apocalyptic and the dystopian. He thinks that what the world really needs is an optimistic vision of the future, one that can give the world’s inventors a little inspiration.
Neil Gaiman’s commencement speech to the graduates of the University of the Arts in Philadelphia, embedded above, is, much like his books, charming, enjoyable, and full of lots of legitimately good insight. Listen to the whole thing if you’ve got the time, but if not, at least read the best part, transcribed below. (In the clip, the below quote begins at 14:06.)
I’m sure by now many of you have already heard about the Tumblr page “Hunger Games Tweets.” It’s a collection of tweets by people griping about the casting of a character named Rue. You see, the film cast 13-year old actress Amandla Stenberg (see above). The tweeters targeted by the Tumblr page bemoaned the fact that the film version of Rue just had to be black. Which is confusing, because in the book she is black, in no uncertain terms. She’s described as having “dark brown skin and eyes,” and later, when the reader is introduced to another character named Thresh, we’re told that he “has the same dark skin as Rue.”